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All Music Guide: Labradford - E Luxo So
- Review by Ned Raggett, 4 of 5 stars. "...generally this is a more spacious sounding effort from the band...".
Flak Magazine: Labradford - E Luxo So
- Review by Pearson Greer. "At any rate, it is really hard not to be at least slightly disappointed with this record..."
Ink Nineteen: Labradford - E Luxo So
- Review by Matthew Moyer. "...the kind of record that people should obsess over."
Last Sigh: Labradford -- E Luxo So
- Review by Matt Simpson. "The beauty of this band absolutely transcends description."
Milk Magazine: Labradford - E Luxo So
- Reviewed by Jeff Norman. "...the best music can be described only by itself."
Motion Reviews: Labradford - E Luxo So
- Reviewed by David Thorpe. "Each unnamed track is slow and purposeful, solid and often quite beautiful."
Pillowfight: Labradford - E Luxo So
- Reviewed by Roy Christopher. "Labradford exploits aural negative space to let the listener fill in the blanks."
Pitchfork Review: Labradford - E Luxo So:
- Rating 5.3, review by Mark Richard-San. "...there are other people making music in this vein, and doing a better job of it."
PopMatters Music: Labradford: E Luxo So
- Review by Joel Hanson. "Each of the six songs on E luxo so feature a different instrument to evoke divergent and sometimes conflicting moods..."
Q4 Music: Labradford - E Luxo So
- Reviewed by David Sheppard, 4 of 5 stars. "Everywhere keyboards as stately as ice-floes rub up against fecund guitars pregnant with unearthly twang, while unspecified percussion clicks, chimes and dub-like throbs carry the seductive procession onward to ever more verdant plateaux, sporadically sunlit by those often breathtakingly luminescent strings."
Splendid E-zine: Labradford - E Luxo So
- Fanzine review by Goerge Zahora. "...air of subverted lucidity remains constant throughout..."
St. Louis Riverfront Times: Labradford - E Luxo So
- Review by Matthew Hilburn. "...a cool, cleansing shower in the ephemerally tranquil sounds of Labradford. "
Yakuza: Labradford - E Luxo So
- Review by David McGurgan. "With subtle tones, repetitive strains, and the occasional throb, the group develops a magical canvas open to interpretation."
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