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Intaglio_and_Allied_Techniques
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Alan Frederick Sundberg - Intaglio engravings and monotypes by A.F.Sundberg. Includes introduction text in several languages. And virtual interview with renowned art critic John Berger (Ways of Seeing).
 
Argoed Mill Studio - Printmaking and etching courses in Mid Wales, with gallery of works by Emma Baird Murray and her students.
 
David Smith-Harrison - Art by David Smith-Harrison, intaglio etchings, aquatints. Studio in San Francisco
 
Dürer, Albrecht - The WebMuseum's page of high-resolution images of six of Dürer's engravings, plus one woodcut (the well-known "The Four Horsemen of the Apocalypse").
 
Green Prints - Cedric Green describes methods for non-toxic etching, including electrolytic and electrochemical methods and related techniques for intaglio plate preparation, rather than the traditional techniques using acids and hazardous solvents.
 
International Mezzotint Society - The stated primary objective is to share enthusiasm and information, and spread knowledge of the technique and its history, to other artists who may presently feel somewhat isolated. The I.M.S. also extends membership to devotees, mezzotint collectors and print-lovers.
 
John D. Gall, Artist/Printmaker - North Carolina artist specializing in intaglio printmaking methods. Gallery of work, bio and resume, and links to other printmaking sites.
 
Madis, Darrell - Arts Madis - Etchings, aquatints, monotypes and acrylic paintings. More than 40 pages of Darrell's artwork with notes on his etching, aquatint and monotype technique.
 
Mezzotints - Prints by David Crown, M.D., director of The International Mezzotint Society.
 
Michael Bonds Etchings - Fine original prints, etchings, engravings. Studio in Wisconsin.
 
Ross, Strange - Danish amateur printmaker and photographer gives detailed technical descriptions of production of photopolymer photogravure, use of digital positives and inkjet printing of multitones (quadtones). He has included a catalogue of gravures.
 
The Lennox-Boyd Collection - The private collection of English mezzotints acquired by Christopher Lennox-Boyd. It is a well-presented introduction to the collection, and survey of English printmaking history between 1680-1890.
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